About Me.

I started painting in 2020. Pastel and canvas are my conscious choice. It’s unconventional. Pastel is usually associated with lightness, sketchiness, tenderness. Canvas — with oil and acrylic. Their combination creates tension: a velvety, breathing surface meets rough fabric. Pastel doesn’t adhere well to canvas, it crumbles, it requires fixing. But it is precisely this fragility and resistance that make each work special. I don’t blend pastel into a smooth patch — I leave marks, strokes, layers. Each stroke is a thought that hasn’t been smoothed over. The canvas shows through the pastel. This is honest: the painting doesn’t pretend to be something finished and coherent. It reveals its assembly, its doubts, its crossed-out lines.

I create physical objects. They leave their presence in the real world — you can hold them in your hands; they age, get scratched, change. This is a continuation of the same principle: thinking that becomes matter. But my pastel-on-canvas works are my main statement. They require courage from the viewer — the courage to think — and from me, responsibility for every title and every stroke.

Social Works.

I create social paintings that require thought. My painting is not a wall decoration. It does not soothe or entertain. It stops you. A viewer looking for something “beautiful” or “understandable” will walk past — and that’s fine. My painting begins at the moment when a person asks: “Why exactly this way?” and does not find a quick answer.

Why many works are “not for sale” right now?

What you see before you are my preparatory sketches. They are like a musician’s drafts or a designer’s roughs. They are valuable for their idea and dynamics, but they are NOT a finished product (like the final painting). Based on these sketches, I work on a “Custom Order” basis:

You choose a sketch or concept you like.
I create for you a full-fledged, completed work in a large format (canvas/oil or any material of your choice).
You get the “breath” of that sketch, but in a luxurious, detailed, and high-quality execution, with or without framing in a moulding.

These small works remain in my portfolio as the beginning of a story, while your large painting becomes its finale.

For these works, the title is half the painting.

My painting does not exist without a title. The title is not a caption or an explanation. It enters into a necessary harmony with the image. The word may contradict what you see. It may clarify. It may turn the meaning upside down. But without it, the painting is silent; with it, it speaks.

Memorable Landscapes.

My practice is inseparably connected with travel and expeditions. I go to interesting, sometimes hard-to-reach locations, take photos, make drawings and studies from nature, and then based on these, I create paintings — a kind of “visual diary” of the places that inspire me. These works find their buyers at festivals, where I participate as an exhibitor, selling my works and receiving feedback through direct, live interaction. These are mainly landscapes of interesting places and locations.

Fractal Cubism.

A synthesis of abstraction based on self-similarity. Each large element of the image is broken down into equal parts without remainder — the ratio of the parts is always expressed as a whole number. According to research, fractal patterns reduce stress when contemplated, and I use this effect as part of my artistic statement.

Аудиоколористика.

Метод создания статичного «слепка» музыкального произведения. Используя цветовой круг и разработанную мной схему «нота–цвет», я добиваюсь гармонии цветов, идентичной гармонии звуков. Аккорды из трёх нот ложатся на круг в виде равнобедренных треугольников, а сама композиция передаёт ритм, звуковую волну и эмоциональную энергию музыки через абстрактные формы и контраст. Направление имеет в том числе социальный аспект: оно может сделать музыку «видимой» для людей с нарушениями слуха. Ссылка на Манифест направления «АудиоКолористика» (disk.yandex.ru/d/kIvdOrGnrAcT2Q).

Для души.

Цветы, натюрморты, копии. Все то, что может быть эстетически красивым.
Это различные натюрморты, пейзажи, интерпретации других художников, и просто эстетические или интерьерные работы.